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<channel>
	<title>Jason Wietlispach</title>
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	<link>http://jasonwietlispach.com</link>
	<description>Milwaukee based musician and artist</description>
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		<title>THE ERAY POEMS</title>
		<link>http://jasonwietlispach.com/the-eray-poems/</link>
		<comments>http://jasonwietlispach.com/the-eray-poems/#comments</comments>
		<pubDate>Sat, 07 Aug 2010 19:10:16 +0000</pubDate>
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				<category><![CDATA[Poems]]></category>

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		<description><![CDATA[1. delineation of line when the trees have quit fall as she was leaving her breath clouded her waving hand as she turned and hugged someone else could never hang on to that snow angel drunk snowman. 2. freight trains, &#8220;unrequited&#8221;, and customization of self seeped into us trace flare shots -promise&#8230;&#8230; wiggling her toes [...]]]></description>
			<content:encoded><![CDATA[<p>1. <br />
delineation of line <br />
when the trees have quit <br />
fall <br />
as she was leaving <br />
her breath clouded <br />
her waving hand <br />
as she turned <br />
and <br />
hugged someone else <br />
could never <br />
hang <br />
on to that snow angel <br />
drunk <br />
snowman. </p>
<p>2. <br />
freight trains, &#8220;unrequited&#8221;, and customization of self <br />
seeped into <br />
us <br />
trace flare shots <br />
-promise&#8230;&#8230; <br />
wiggling her toes <br />
in the water at the affection invitational <br />
timid, at best <br />
keeping <br />
desire heaped <br />
warm, this landscape <br />
no longer barren <br />
her lips were the most soft <br />
when she spoke <br />
about <br />
us. </p>
<p>3. <br />
hot breath <br />
and what it suggests- <br />
against the neck it shoots south <br />
expectations not semantics. <br />
tracing each rib <br />
with an eyelash&#8230;.. <br />
its more than patience. <br />
the ache of want- the kissing of each <br />
toe <br />
watching the back arch <br />
knowing <br />
for <br />
at <br />
least <br />
now, <br />
knowing <br />
what <br />
we <br />
are doing. <br />
-after worship <br />
the sunlight illuminates your hip <br />
there might even be snow <br />
outside. </p>
<p>4.<br />
when the softness ended, <br />
and the tree shadow moved across the wall <br />
at least, <br />
until night swallowed it <br />
and the empty was lit by cars <br />
as they went to places <br />
where there were other people <br />
doing other people things like <br />
loving, speaking in soft voices, falling apart. <br />
if she where here <br />
and she never has <br />
or will, <br />
the skylight would high-lite her pale skin above the knee beneath her slip. <br />
i would want to kiss her there <br />
but then she would have <br />
to put down her <br />
book. </p>
<p>5. <br />
Roaring light <br />
she pulls the hair forcefully <br />
to bring me in, to make me aware <br />
of her urgency. <br />
When her flesh is covering my ears <br />
i can hear <br />
her heart throb, <br />
and the endless spin of thoughts <br />
stills and drops <br />
through <br />
all <br />
the chakras. </p>
<p>There is no hurry here, <br />
for her to have all the senses on fire- <br />
freebasing erotic- <br />
when we are in love <br />
we are our own subjects- <br />
trading rolls <br />
i look into your eyes <br />
as you enter- <br />
you are <br />
my god. </p>
<p>6. <br />
olfactory bulb <br />
when she reads <br />
she is away <br />
-selfish. of <br />
course to want <br />
when <br />
wanting is not specialized <br />
but suggested <br />
is&#8230;..arousal? <br />
her body is a minimalist sonata, <br />
her mind the new complexity- all strings and kettle drums. <br />
fear of hearing the cadence of my perversions <br />
crossing some imaginary line, <br />
humming softly <br />
tracing the hummingbird wings <br />
with <br />
my tongue <br />
on the daybed <br />
hopping <br />
for just a little <br />
sunburn. </p>
<p>7. <br />
Our Dichotomy- Arvo Paart, Brian Ferneyhough</p>
<p>Arvo Paart: </p>
<p>Passion cathedral of sound <br />
when our souls combusted <br />
love built on this long walk- <br />
together, backs covered until the dirt does. <br />
Lying in the quiet, our hands touching <br />
it is a prayer, a mudra. <br />
The giving in is not giving up, <br />
nor is options capped, <br />
it is that old couple <br />
walking together in the fall <br />
telling the same stories <br />
and each day <br />
it seems <br />
new. </p>
<p>Brian Ferneyhough: </p>
<p>Steam press and oil rigs, <br />
tankers full of milk, soldering iron <br />
power drills, grain elevators <br />
slow dredge of wet thick sludge <br />
while jack hammer pistons thrust tulip spires. <br />
Hot railroad ties lying in fresh warm dough- <br />
each day it is fucking christmas <br />
when i get to pull down <br />
your pants and get to see <br />
what kind of panties <br />
you are wearing. </p>
<p>8. <br />
rough-plaintive, <br />
notions of acceptance. <br />
church building only to be <br />
taken down <br />
once placed above <br />
the mantle. <br />
watching her eyes move <br />
as she sleeps, dreaming <br />
hopefully <br />
of regained sight, new bearings, triumph. <br />
knowing my part <br />
is only a bit <br />
on the stations of the loss. <br />
still, <br />
as conscious suffering dictates <br />
we do good not for gratitude, <br />
but to bend the bars a bit <br />
on the cage <br />
of our <br />
own <br />
lot. </p>
<p>9. <br />
exiles <br />
swift and clear- <br />
measuring the dimensions of alone. <br />
when its cold the quiet ascends <br />
stillness of the trees punctuated by absence <br />
of foliage that once was <br />
acid washed greens to faded stop sign red. <br />
sometimes at night- the beer will quiet the images <br />
others,  the crutch lay broken <br />
or <br />
given <br />
up. </p>
<p>when sleep comes and the<br />
mind is still, accepting the time <br />
to work the things <br />
out <br />
that cant be sorted &#8211; <br />
she is wearing candy apple green leggings <br />
we are sober and its during the day <br />
-just after we pulled weeds in the garden together. <br />
it is not animalistic nor show tunes- <br />
but devotional&#8230;&#8230;&#8230; </p>
<p>never having existed, it is more real <br />
than whats here now <br />
after the blinds <br />
are raised <br />
and most of the <br />
bed <br />
is still <br />
cold. </p>
<p>10. <br />
soft globes with <br />
alert geography, connecting <br />
the dots through nurturing <br />
penetration. would <br />
you enter me <br />
with abandon, direct careful patient? <br />
are/would you <br />
offer <br />
your toes for me memorize <br />
to make vivid? <br />
in the bright sun bathe <br />
will you offer your <br />
your hips as handles <br />
for me to bury my <br />
head <br />
in <br />
your sand? </p>
<p>11. <br />
after the evil that comes <br />
so easy <br />
to those with control <br />
the animals were piled and burned <br />
for no apparent sacrifice other than <br />
male bonding <br />
god rolled over and fucked herself <br />
with a handful of railroad spikes <br />
the rust and blood <br />
making a lovely sunset <br />
that went pretty much went unnoticed <br />
by everyone. </p>
<p>12. <br />
day not wasted <br />
watching brown hair <br />
made neon by the morning window- <br />
it spills like linseed oil on the pillow. <br />
her deep breath haiku, the mystery. <br />
sketching the curve of her ankle, <br />
the small of  the back leads the course- <br />
a meal of soft love handle tummy <br />
to rest a wet cheek after the iris has been opened <br />
cleaned of nectar and released of tension. <br />
the haunting sketchbook, her ?ngers <br />
fold in prayer under her face <br />
as she sleeps <br />
and <br />
the house is kept silent </p>
<p>13. <br />
 wishing it rough so <br />
there is a chance to feel <br />
anything again- the raped dopamine <br />
it&#8217;s strip mined: <br />
am so tired of this war. <br />
the romance novel wrote of <br />
alpha, strong, control- <br />
take charge and now its all ruined. <br />
the caress with urgent necessity drifted <br />
as the soft voices tapered off. <br />
once it was a union, now its a hammered blur of urgent feel <br />
and than a vast nothing. <br />
spooning nap and tender finger tips on clean sheets- <br />
whats the hesitation? <br />
the deer outside the door <br />
looked up, saw it was still again <br />
ate and then <br />
ran off. </p>
<p>14. <br />
frayed end tied <br />
an aggressive shadow. the speaker <br />
blown tweeter, blown woofer. <br />
crane to hoist tired beyond these divisions. <br />
act and action, featherweight denier. <br />
all sorts of goodies buried in these ruins <br />
monumental lack of words. <br />
spigot pouring vowels. <br />
trough trough trough <br />
&#8230;&#8230;&#8230;.work <br />
&#8230;&#8230;&#8230;.repeat <br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..spiral coated with nervous giggles <br />
desperate at this alive thing, removed form the line of roses that separate <br />
the shaft from the thorn. </p>
<p>15. <br />
crank of disgust, <br />
the honor roll murmur- this <br />
spine <br />
woven of maize and milk <br />
huge fucking leap, this creeping stone <br />
tired, beat after beat. rope burn <br />
come devour all these flags cunt majestic <br />
the soft spoken apology breathes like clouds stuck way the fuck out <br />
no rain, the crystals snorted like a passage in a book with an awesome cover. <br />
crooked bitch nails got it all set with the staple gun- <br />
penetrate the waste, we are pregnant. </p>
<p>16. <br />
bags of knives <br />
dug handle deep, <br />
hole dug, filled with rocks, rain water stretched like a trains labia. <br />
the blue sky reflects on the blade <br />
clouds woven with blood. <br />
heap this crushing awake at the freezers wake, <br />
silent the eyes are closed kissed <br />
teasing <br />
only putting <br />
in one <br />
inch <br />
at <br />
a <br />
time, dragging the tip along each lip <br />
nipples pinched <br />
as the tongue <br />
searches the inside <br />
of her shitter <br />
we are finally <br />
home.</p>
<p>17. <br />
glory hole <br />
of the sole, paper cut <br />
the legible requirement at the hands of <br />
humiliation. <br />
this row of speech tied to the ankle tied to the bedpost tied to the outside. <br />
there is no podium here, <br />
just a <br />
hanging <br />
there is actually nothing here <br />
left wanted <br />
disengage that heart, <br />
put it in your pussy <br />
and spit it out <br />
into <br />
me. <br />
18. <br />
huge mist of birds <br />
the sky drizzled its wounds clean <br />
chatter and fail. <br />
the big lead up, the homage <br />
the gift of honesty, fragility, the messy open <br />
falling in heat, rubbed raw <br />
these truths that hang like headlights- burdens <br />
go ahead <br />
take, we are nothing if we are not <br />
givers. <br />
take this fucking hail, rain pushed up and up, dropped- <br />
up and up <br />
until its just too much <br />
and drops <br />
collect it in a pillowcase <br />
and beat the motherfuckers <br />
while they sleep. </p>
<p>19. <br />
the gesture of the melting snow <br />
the upbeat rise of a blade of grass in december <br />
the relaxed orange blanket of a country street light- <br />
sometimes the smoke from the coal plant goes straight right and fades- <br />
others, <br />
it ends sharply to the left, a new shelf to the sky above the curtains <br />
mostly it drifts up uncertain. <br />
to love is not a possession. </p>
<p>20. <br />
reciprocate <br />
the long walk, the stone. <br />
admiring the size and pace of animals paw prints in the snow. <br />
there are a few angels <br />
i am one <br />
all angles and smooth lines, honest <br />
my heart for you <br />
is a divining rod <br />
disproved by <br />
science. <br />
all this talk of combustion and its only the most distant fires <br />
that can make these clouds <br />
so lovely. <br />
only the not knowing, the giving up <br />
that ropes the days until <br />
we are threadbare <br />
and full of pride at not having let anybody in as we die <br />
sure of our ground that we thought we are holding <br />
but <br />
are <br />
now <br />
buried <br />
in. </p>
<p>21. <br />
arms length <br />
or farther <br />
the shadows of the leafless tress <br />
against the snow at night. <br />
tapping the give up <br />
the neat rows of surrender <br />
lost warm hem of the stereo&#8217;s skirt. <br />
letting in the selfish, damp cold of still air in a dark room. <br />
touch is the hassle it takes to penetrate <br />
and be gone. the water drips its story, <br />
rests, falls in. <br />
waiting at the window, <br />
watching the lights from all the angles. <br />
you never came, but spoke. </p>
<p>22. <br />
where the deer sleep <br />
when it burned last, <br />
that shiny bride rowing a beached gondola <br />
there were radio towers <br />
tall enough to sing above the clouds <br />
from the porch. <br />
here, where the calm drifts like snow into pillow banks <br />
there are coal towers <br />
that breath their own songs into clouds- <br />
like statements on the passing <br />
days. <br />
there is exile, retreat, withdrawal <br />
but not defeat. </p>
<p>23. <br />
spoke like wire <br />
yell furnace brine <br />
too many fists <br />
furl and fold <br />
these measures and standards <br />
this heavy wooden globe <br />
sold the told to home <br />
scotch tape the whole experience <br />
and wound it freely <br />
snuggle notch on the waste <br />
we paint only <br />
landscapes </p>
<p>24. <br />
such grace <br />
there is a tender silence <br />
when it is all done, <br />
spoken for. <br />
when the moments <br />
shed, and the soft <br />
face of &#8220;it is still, it is calm&#8221; <br />
unfolds. <br />
you <br />
of <br />
course choose <br />
to not be there <br />
holding ground against these <br />
tyrants with flowers, <br />
waiting, well hung like flags at half staff <br />
this room has <br />
at least four corners <br />
pick one <br />
and <br />
dissolve. </p>
<p>25.<br />
not a parade <br />
stern softness, the trail <br />
of the jet lingers in the window long after the plane has left. <br />
wishing the sky, wishing alone. <br />
the past is not really there until dug <br />
and hung, the parade of glass house ball bearings- </p>
<p>this uncertainty- <br />
no longer accountable <br />
the scrutiny removed <br />
the big change maker, and the pointless reasons. </p>
<p>hoping, when it is warm enough <br />
and the frogs refuse <br />
to shut the fuck up <br />
the garden <br />
will occupy the space <br />
between. </p>
<p>anyway <br />
anyway <br />
anyway. </p>
<p>26. <br />
built this tower <br />
this sheet of statements. <br />
lower lower lower this wound <br />
this strip mining, this narcissism, this banking <br />
to keep the voices of being in check <br />
we harvest busy, masturbate the idle time until <br />
we dissolve <br />
this fury is lost, this fury is lost, this fury is lost, this fury is lost <br />
doing the numbers this math of crooked bitch made by desire <br />
this nothing, this nothing, this empire <br />
of trust, trust me, i bleed into you, i give give give give give give <br />
until my hurt is yours, yours mine and we consume this piss, we blur fuck <br />
till we cant stand each other to the point of propping up <br />
each other up to bury the forgiveness all over again <br />
the birds in the field burn- <br />
alone <br />
fuck you, <br />
i was alone <br />
first. </p>
<p>27. <br />
had something to offer <br />
but forgot,  not <br />
much <br />
the days catching up <br />
and anything resembling handsome has <br />
to be made up for now <br />
in kindness, sweetness, honesty <br />
love poems left on the bathroom mirror <br />
tiny gestures and devotional lovemaking. <br />
need a walking partner <br />
garden partner <br />
sitting in quiet partner&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; </p>
<p>so <br />
you were there <br />
in the morning while i made tea for us <br />
and you commented that there <br />
were many deer outside the window <br />
even some fawns. <br />
i think it pained <br />
you a bit <br />
when <br />
you pointed out <br />
that <br />
there were no bucks.<br />
i kissed your eyelid <br />
as you looked at <br />
the tea steaming <br />
and realized <br />
how alone this all is. </p>
<p>when the night came <br />
you were <br />
stripped of control <br />
hands tied to the basement beams <br />
when the belt hit your thigh <br />
you bit your lip <br />
and the blood dripped down your chin <br />
tear-dropped and fell <br />
on your nipple. <br />
when the belt hit again <br />
the drop fell <br />
and landed on the top of your foot <br />
where i bent <br />
over and <br />
scooped it in my finger <br />
licked it off <br />
and put <br />
that <br />
finger <br />
in your ass. </p>
<p>when you changed your perfume <br />
i knew <br />
it <br />
was <br />
over. </p>
<p>in the <br />
end <br />
i visited you <br />
often <br />
knowing that death was there <br />
for me after he came <br />
and got <br />
you. </p>
<p>i think i had a grasp on what love is. </p>
<p>28. <br />
sitting <br />
in the <br />
yard <br />
the moon is stuffed fluff white, heaving light- <br />
bottle of beer <br />
tipsy <br />
the frogs have started their chorus-louder <br />
than the distant cars. </p>
<p>the absence of neighbors, the <br />
air is not heavy with tv, chatter, domestic clang <br />
there must be a million <br />
small things making <br />
tiny <br />
noise in the leaves. </p>
<p>the bulbs planted in fall <br />
are now alert <br />
periscoping <br />
the spring. </p>
<p>patience. </p>
<p>29. <br />
warmth<br />
jagged hatch marks connected by <br />
jet trails. <br />
wrens and cranes, the soils <br />
temper tested by endless snow melt. </p>
<p>for all <br />
the cleansing process. research <br />
on self, putting memories in nick knack racks <br />
belie the blur, this whole starting new <br />
becomes the <br />
hole ending knew. </p>
<p>it has been too long <br />
too long. </p>
<p>30. <br />
the walls <br />
are bare <br />
upon choice- <br />
there is no tv, <br />
a bed, <br />
a dresser <br />
&#8230;.sleep should not be busy work! </p>
<p>sunday morning <br />
the wind blew the papers on the ledge <br />
as the sun wormed its way in. <br />
with quiet comes reprieve- <br />
the freight train speaks in stutters and fades. </p>
<p>when the moon is as big as a whitewall tire <br />
the blinds <br />
almost need to be <br />
drawn, </p>
<p>there still is time </p>
<p>31. <br />
there was no <br />
cloud like that <br />
in the pages, but the sky next <br />
the storm clouds looked just like the ones here- <br />
blue, and then blue and some more blue. </p>
<p>the trees heavy with wind <br />
shrug and bend <br />
that sky was not in the book either- night <br />
is denied, color photographed and xeroxed over <br />
and over and over until <br />
it is just toner. </p>
<p>having so much <br />
one needs to be grateful for those <br />
things lacking. </p>
<p>32. <br />
if it is <br />
one note, then <br />
it is&#8230;..our church. </p>
<p>inside this flesh lighthouse, <br />
painted white with purified snow <br />
our <br />
refineries run at half mast. <br />
deep inside the throbbing wish, <br />
it may be leaking. <br />
it just. </p>
<p>33. <br />
threadbare<br />
the hole ditched <br />
the bags packed <br />
rows of compromise <br />
pick ax subtle suckle <br />
light bulbs expose phillip guston style terror <br />
shadows <br />
unearthed <br />
anchored <br />
by choices </p>
<p>34. <br />
the old <br />
buried <br />
stronger <br />
alive&#8230;it is <br />
again,    found <br />
desperate, not just waiting. <br />
&#8230;..this long scan of treeline <br />
has been rendered lost. </p>
<p>&#8220;there amongst the pain <br />
worshiping at entrance, <br />
inside forgiveness <br />
outward &#8211;  humiliation&#8221; </p>
<p>kissing each toe <br />
this currency no longer urgent <br />
standing still <br />
this devotion is <br />
about <br />
us, <br />
huddled. </p>
<p>35. <br />
not even a <br />
frayed angel- <br />
after burning through all <br />
the chakras and making <br />
a self portrait with the <br />
ashes, smash&#8230; <br />
hammer forward the dig, <br />
turbulent gravy laid waste <br />
buried by action- <br />
lousy service and the plates empty. <br />
porcelain trophy <br />
buried arms deep <br />
in her <br />
dump-truck. </p>
<p>36. <br />
tease, <br />
chain pulling. <br />
the trees tackled the sky <br />
until everything was sunk. <br />
led to where the earth coughs <br />
climbed in <br />
and fell. <br />
pattern discerned as repeating, <br />
obvious isn&#8217;t it? <br />
these culminations rivet the patchwork <br />
cold.  this cathedral of <br />
acceptance <br />
will be <br />
just as empty <br />
after the heat has moved <br />
on. </p>
<p>37. <br />
clouds as kites </p>
<p>the <br />
wooden frame <br />
that holds <br />
the glass and offers us <br />
ample opportunities <br />
to see outside <br />
is heavy <br />
with <br />
sun. <br />
we <br />
are <br />
really never <br />
supposed <br />
to have as ownership- <br />
connections. <br />
the shadows, <br />
never still, move on all the time- <br />
whats left are the same rocks for support <br />
the same branches <br />
for hanging <br />
other things besides the obvious metaphor <br />
of <br />
a <br />
noose <br />
is a swing <br />
for <br />
two. </p>
<p>38. <br />
after <br />
stuffing the curtains <br />
in the luggage, <br />
a trade <br />
was made. <br />
damn this canopy, its so shattered- <br />
this parade of having revealed, and in its hand <br />
was only a mirror, <br />
not transcendence as built up spine bone after <br />
anchor. could not <br />
be <br />
that <br />
something, nor any less. <br />
there are many butchered waves, <br />
tracing the sign language <br />
for fade. </p>
<p>39. <br />
was, distracted </p>
<p>the poem <br />
was, <br />
see.   going to be about <br />
a, yes&#8230;.very important, subject- <br />
to change.     there were multiple <br />
buttons <br />
to be <br />
pressed,     instead <br />
lots of tiny buttons on her blouse were <br />
arranged to have pale <br />
bombs <br />
of <br />
blushing <br />
lust exposed. <br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.they are cute, necks bent, but <br />
they are not baby birds, <br />
but horny <br />
little <br />
fuckin&#8217; <br />
tugboats. Looking up her skirt,<br />
got real <br />
distracted. <br />
there is always water somewhere <br />
out there. </p>
<p>40. <br />
inside her faith, above her two knees </p>
<p>headlights- <br />
directionals from empty discourses. <br />
arms bent towards a shrug- these <br />
are really gestures of faith. <br />
the aim, penetrate each others soil <br />
with initiation. <br />
could tell that the pattern was not made by nature- <br />
its map not set by wind or tumbling days, <br />
instead, carefully planned by men <br />
with motives. woman, who <br />
in <br />
the <br />
hazing process the fluid was leaked <br />
from the shaft <br />
left a stain on <br />
the bathroom tile <br />
to be read <br />
like tea leaves <br />
by horny dirty <br />
ghosts. </p>
<p>41. <br />
cello curves, <br />
but would never cheat. <br />
she had no <br />
desire <br />
to be consumed, <br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;but maybe laid with bills. <br />
never really anything but fish hooks snagged on rain, <br />
we, of course <br />
gravitate <br />
towards the low <br />
notes, use those as counterweight <br />
for <br />
our <br />
failings. <br />
there is drift in the gulf, <br />
no speed nor entrance, <br />
just submission to the <br />
whore <br />
of <br />
clowns. <br />
&#8230;&#8230;&#8230;&#8230;.pensive, <br />
we bank on survival and <br />
it does not really <br />
matter what flowers get laid, <br />
i ain&#8217;t. </p>
<p>42. <br />
we. <br />
painted the signs <br />
-after the rain <br />
-after they had been torn down. <br />
wires are no longer needed to pour words like straws <br />
in <br />
porn gape. <br />
this past, all cunt hyper <br />
shaking shouting in the present tense <br />
have all popped- <br />
worms covering their ears. <br />
weather balloons<br />
drag the stings behind to catch the cracks in the <br />
erotic plumbing system. whatever. <br />
these reruns, play like weeds with shrapnel. <br />
scalpel, it ain&#8217;t precise, nor is it science, just a bag of fucking <br />
leeches <br />
thrown at the fan. <br />
tea-bagged the drill-bit, <br />
mined nothing <br />
and got buried beneath vacant <br />
twat singing in <br />
overtones: </p>
<p>&#8220;the clouds over there <br />
just at the point where the <br />
sea is swallowed by the sky <br />
have rained, <br />
there is new growth <br />
in the dessert, <br />
the cactus have rotten from <br />
the inside out, <br />
that is the part <br />
we like to <br />
fuck <br />
the best&#8221; </p>
<p>there is such a thing as <br />
heat lightning- <br />
dont need kindling <br />
anymore. </p>
<p>43. <br />
sun, quench </p>
<p>after strip mining <br />
the shadows, <br />
the sun, quench- <br />
scorch and burn policy <br />
to <br />
hold <br />
others <br />
for examples of being so tired of history. <br />
repeat the post digging over <br />
and over <br />
to get <br />
over never <br />
getting over this blur of a head full of ex&#8217;s, <br />
remember lines 5, 6,7 and 8? <br />
really, <br />
whats the point of keeping everything <br />
fenced in when none of <br />
it <br />
is <br />
worth <br />
shit <br />
anyway? </p>
<p>44. <br />
taking russia in the winter </p>
<p>somewhere <br />
between Madison and Spring Green <br />
fumbling with <br />
paid calling card, <br />
the sky shook the linen, and threw cotton. <br />
the baked road steamed after the hard rain. <br />
could not get through and should&#8217;ve listened <br />
to the silence and let <br />
it grow long enough to leave <br />
the choice to be made out. <br />
anxiety<br />
is a decent <br />
barometer <br />
intimacy <br />
a great phony. <br />
airlines passing, so much more to departing. <br />
there are those that wish, and make <br />
it known <br />
that they wish the strays were left <br />
rotting back in orange land. <br />
see, these reminders spread like <br />
haggard burned to fuck glory. <br />
was at the hymnal and her thighs <br />
covered my ears as <br />
the sinkhole opened, <br />
too much shrapnel <br />
in that <br />
canary <br />
who begged it <br />
a <br />
coalmine. <br />
parachute plan to her new future. </p>
<p>45. <br />
holding pattern </p>
<p>rug burn tantrum with erect posture- <br />
the best things believed- <br />
left unexposed. live in mystery, <br />
it knows. <br />
tracing the branches <br />
the undercurrent <br />
the new belief system. the shadows <br />
effortless. blessed, <br />
removed. <br />
canopy of scratches, the new calligraphy- <br />
remedies for apologies. <br />
trenches, shovels, pick axes- <br />
wrench it away, <br />
fade all the way <br />
fade into the idea <br />
of <br />
you failing. <br />
fall. </p>
<p>46. <br />
pageantry of <br />
dressing wounds. the trade up <br />
-options. <br />
sticking around but the roots are mulch. <br />
as much <br />
lay bare, she is. <br />
removed of need, her acceptance <br />
never involved, fruit merchants of pulleys. <br />
never quite what imagined, <br />
it is stoic, with no bargaining, her gentle slope <br />
of hips spills, the chain gang lines up harshly lit, <br />
it is fantasy that keeps the chimneys clogged, <br />
her moist surprise <br />
engaged, teasing, these puppets <br />
eat their <br />
own <br />
strings, stumble <br />
rot <br />
looking up. </p>
<p>47. <br />
the hum <br />
inside her pleasure source <br />
beckons my throb <br />
in her macadamia<br />
flavored tunnel <br />
to sing, its <br />
vocal chords teased by the electric pulse <br />
inside her safe <br />
passage. to <br />
be part <br />
of her <br />
so <br />
full- a sexual blessing, <br />
an entrance to heaven <br />
as she shakes her drunken rump <br />
at the dawn of overload. <br />
grabbing her hips, <br />
the vibrations <br />
are little tidal waves, <br />
coaxing my tin man <br />
to aspire <br />
to please her <br />
deeply. <br />
she is face deep in <br />
the mattress, absorbed <br />
elated heightened <br />
as one more thrust <br />
bursts <br />
leaves her sore <br />
thinking about <br />
soon <br />
more! </p>
<p>48. <br />
scattered the <br />
wires, charged! living <br />
while burning, too please <br />
is not an excuse but can be near <br />
pleasant and worry. inhale <br />
her sex, like a fan <br />
on a hot <br />
day, her pleasure <br />
dew a sacrament. <br />
the railroad tracks breath faster <br />
trying to remember each spike, <br />
each pasture, each pleasure. <br />
tracing the outline <br />
of her toes <br />
in the <br />
snow, <br />
the wind blows whats left of the leaves <br />
as she zips her coat, <br />
her breasts majestic. </p>
<p>49. <br />
trading in icicles </p>
<p>the beams <br />
to the rafters, adrift <br />
sea swallows, row <br />
the entrance- bleed <br />
weep spill the birds no longer seen, lifted. <br />
in <br />
the hierarchy, to deem <br />
to deem <br />
to deem <br />
we smoke shadows and hide. <br />
having thought sufficient, <br />
unpacked the sacrifice and spilled <br />
all over the chaos. </p>
<p>50. <br />
allow as a cover for <br />
sentiment.<br />
could, of <br />
course, be <br />
something more (allow again) <br />
but, <br />
the refusal towers <br />
and the iris giver is shut out, <br />
made blank by pasts, greener expectations. <br />
jackhammer the will <br />
to the shell casings <br />
spent shooting <br />
at star <br />
crossings. at <br />
court the idea of love <br />
was skirted around <br />
tanked, but <br />
when the skirt is lifted <br />
love can be dolled out like probation favors- plush caskets. <br />
pulling away from her, she <br />
really does not want <br />
a grain <br />
elevator, and in a very <br />
non poetic way, <br />
it hurts. </p>
<p>(i saw her <br />
once, when she decided that <br />
effort was needed to keep the coals stoked <br />
and for a moment <br />
decided <br />
the importance <br />
was real. but, this desire <br />
might be a faded photograph <br />
of <br />
an <br />
empty <br />
barn fire) </p>
<p>at some <br />
point she might <br />
choose, like choices <br />
made to <br />
bet on <br />
reruns, <br />
or <br />
herself <br />
allow. </p>
<p>51. <br />
the perimeter is <br />
hung with <br />
hanging baskets, prickly. <br />
severed, but still speaking <br />
eyes following the cigarette smoke <br />
as it joins the gnats as point of reference, <br />
they would be secrets, but <br />
have no value so <br />
are traded in <br />
currency, closed door <br />
invitationals, <br />
open to anyone <br />
bloom <br />
of anxiety into a blank <br />
stare. </p>
<p>52. <br />
having extracted <br />
emotion, subjugated <br />
the <br />
desire <br />
to draw water from cactus-<br />
now the floodplain has purpose. <br />
in those moments that <br />
are enormous now- <br />
this complicated rush of lubricated <br />
naughty smears the daily towering boredom <br />
into a present <br />
isolated <br />
fulfilled <br />
temporary. <br />
it is a sanctuary <br />
of moments <br />
that we climb into <br />
to forget <br />
that we no <br />
longer <br />
feel. </p>
<p>53. <br />
on shopping <br />
for fish hooks and <br />
rear view mirrors, the fairy tales <br />
were made from <br />
refurbished charm <br />
bracelets <br />
siphoned <br />
through <br />
mirrors. <br />
in refusing <br />
to accept, strong arming <br />
the inevitable. <br />
the past can be held off <br />
to become more <br />
malleable. <br />
this whole idea of possessing <br />
are the words sewn into the <br />
cough of <br />
dolls. when the <br />
point is made, <br />
figuring the <br />
paint is dry <br />
on our <br />
leaving. </p>
<p>54. <br />
a shift </p>
<p>porcelain lines, <br />
the landscape of the <br />
bathroom <br />
ends at her thighs, <br />
peering up <br />
her <br />
eyes closed <br />
she concentrates and releases- <br />
playing catch, the tongue <br />
traces the crumbs <br />
down to <br />
her <br />
brown crown, <br />
to be <br />
lapped up with expressions <br />
of gratitude. <br />
the cleaning process <br />
is finished on <br />
the bed, <br />
her ass rises like a prized flower <br />
its fresh rain <br />
savored in the fading light <br />
of the <br />
evening, empowered.</p>
<p>55. <br />
patterns of ropes </p>
<p>storms and <br />
carpeting the myth. trying <br />
to match words <br />
with currents, the <br />
beginning alone is worth <br />
the frost bite. driving, forming <br />
the divide, writing <br />
thank you letters to <br />
the undertow, we <br />
dispense <br />
only to disperse <br />
into ourselves <br />
an <br />
understanding of <br />
the effects of <br />
permanence. </p>
<p>56. <br />
after the shear <br />
when <br />
last standing, the troops <br />
went home, the duplicates <br />
absorbed. the <br />
solitary light <br />
weakens. tried <br />
but no trial could <br />
summon <br />
heat from that bright corner. <br />
burned marble walls <br />
her stoic response offers <br />
only refuge under a skirt <br />
chosen <br />
like <br />
performance. rolling <br />
her hands canceled <br />
in the turbulence, it speaks <br />
like books <br />
speak of sound, or at least <br />
search after the <br />
hammering of the found. </p>
<p>57. <br />
the smallest landscape </p>
<p>nor fragile <br />
not near forbidding, <br />
acceptance is a glass <br />
passage. tower of torn <br />
-shipwreck. <br />
her shoe heels dig <br />
into the shoulder blades- <br />
it takes a lot of concentration <br />
to hike these walls. <br />
reaching back to <br />
spread the balloons into <br />
an attic sky, the clouds <br />
may have blushed as prayers <br />
were suspended like mobiles, <br />
the dam bridged and salmon <br />
spilled over the banks <br />
sloppy drunk bathed <br />
in an aloe sheen, all <br />
smiles with the face <br />
of a dirty glazed <br />
fountain, stuttering <br />
but not interrupted,<br />
with bags of <br />
bombs, her <br />
shipwreck <br />
repaired, righted <br />
squirting. </p>
<p>58. <br />
great lakes </p>
<p>there were passages <br />
and collections, an <br />
overpass and new forms of endearing- <br />
the leaning of <br />
whispers, no <br />
vacancy and acceptance of truths. in <br />
the event of expectations <br />
all the giving was buffed <br />
to a dim radiance <br />
and storm drained <br />
to a ditch <br />
of wildflowers. there has <br />
been rain here, and the <br />
trunks sway, her skin the <br />
color of birch bark- <br />
her ability to forgive <br />
brought the wind to <br />
it&#8217;s knees. for those <br />
reasons alone <br />
the windows are <br />
kept closed. </p>
<p>59. <br />
were there no <br />
longer monuments we <br />
might stitch the drippings. <br />
fuel and ornaments, having absorbed <br />
her without feeding <br />
the past through screen doors, being <br />
able to thrust &#8211; holding her ears not for silence <br />
but for power, her tender vacancy <br />
bags all <br />
the kite strings <br />
and takes away the <br />
dull ominous ticking that <br />
shuffles each <br />
memory until it is <br />
just the <br />
next. </p>
<p>60. <br />
upon dropping a rhyme </p>
<p>maybe it popped <br />
or whimpered or <br />
whatever. <br />
let it <br />
and let it did, but <br />
it was anyway. there <br />
maybe, could? <br />
gentle, its grace <br />
was all lilacs and <br />
delicate like inchworm silk, advance <br />
of sand. she had <br />
a smile wide like high tide, <br />
and the lights <br />
skipped the ripples <br />
drunk. dance <br />
or march, immunity- <br />
a lesser wound <br />
could grin<br />
nor brace the brunt to <br />
win. </p>
<p>61. <br />
trace <br />
of licorice <br />
and tree nuts- <br />
the sun may <br />
not shine there <br />
but <br />
worshiped <br />
-all the same. <br />
tip of tongue <br />
circling the half moons <br />
to the glorious <br />
gap. inhaled <br />
and suckled, her brown <br />
sundial <br />
needs deep forceful <br />
french kisses <br />
-the luscious result drips flower dew <br />
goddess viscosity. <br />
suck it she <br />
implores, the naughty now <br />
complies- <br />
swirling, slurping,suckling. <br />
as <br />
the evening sun <br />
gets wood, <br />
drips, <br />
and <br />
later <br />
penetrates. </p>
<p>62. <br />
laws of diminishing returns </p>
<p>after trading the cumulus <br />
for a field of rain barrels, <br />
a soldering iron was <br />
used to etch <br />
calender days into <br />
the walls of <br />
home. the stairs still <br />
are in the same place <br />
as well as the <br />
windows, door trim, basement stones and the <br />
souls glued to this <br />
particular patch of sunlight <br />
across <br />
nothing. could be different, <br />
maybe a new shape <br />
or slight, gave up in giving. <br />
knowing best. easy. <br />
disperse. towed under. <br />
hanged. crawlspaces <br />
feeding off of <br />
pumpkin <br />
flowers. </p>
<p>63. <br />
structures of solitaire </p>
<p>after dismantling <br />
the care giving, <br />
the epic <br />
and forgiving. reconstructing <br />
shade, she <br />
forgot interest and <br />
lay siege to herself-<br />
communicating <br />
after the brush fires gave way. <br />
and his absence <br />
was a leaky reminder <br />
that we are not vassals kept on shelves, <br />
nor comfort lie waiting, <br />
but <br />
a disappearing act rising on <br />
the <br />
cusp <br />
of freedom. </p>
<p>64. <br />
little box for sleeping </p>
<p>these <br />
arms weigh quiet, <br />
whether in flight or <br />
drifting. nor church <br />
or collapsed brilliance, seasonal <br />
heaving. splinter, having <br />
fallen for her, drug. <br />
chain pulling dirt. <br />
wire. <br />
jagged leaf springs, <br />
stretched across a bed frame made of <br />
red lights, this <br />
drowsy church refers only <br />
to drifting <br />
for flight. <br />
in anger her <br />
life alive- her <br />
refusal of real touch <br />
a testament <br />
to stiff-armed <br />
intimacy, or the remnants <br />
left by other manufacturers <br />
of the <br />
storm. </p>
<p>65. <br />
frisky </p>
<p>attached <br />
to the ceremonial bonding <br />
were spirals and spigots and trenches- <br />
sow, the tarnished earth fetches <br />
respect <br />
as it absorbs <br />
dead. heat, acclimation <br />
disembark. <br />
my testimonial <br />
is an assertive thrust, not <br />
flashy enough for the directors <br />
recollection. what is <br />
this payment for, this <br />
consummation, where every light bulb <br />
is screwed on and <br />
the firecrackers <br />
all <br />
pop. </p>
<p>66. <br />
the power of arms </p>
<p>offering all <br />
the colors, and the <br />
near. heat <br />
of snuggle is more<br />
warmth of sincerity, there <br />
is (maybe just a dream) <br />
a breath that slows <br />
between two hearts <br />
until the mind has <br />
fully rested. <br />
no <br />
alarm nor <br />
quick <br />
judgment can spill the sober blinds. <br />
there is a poetry <br />
in watching eyes move <br />
under closed lids. women&#8217;s hips were <br />
made <br />
ergonomic for <br />
holding close and <br />
fading. <br />
this bed yawns, not <br />
having been balanced <br />
with the counterweight <br />
of together in <br />
years. </p>
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